Showing posts with label Guest interview. Show all posts
Showing posts with label Guest interview. Show all posts

Thursday, September 29, 2011

Tips for a successful consignment

Guest blog by Vicky Brown of Shore Debris

I have been making jewelry most of my life, but didn’t start selling for profit until almost 2 ½ years ago.

I began selling on consignment because I liked the idea of my jewelry being available for shoppers to see, touch, and buy in person. It also gives buyers more opportunities to interact with my jewelry than just my appearances at craft shows.

Sometimes I find consignment opportunities, sometimes they find me.

I find shops through word of mouth – a good friend or family member says, “Hey, you might want to check this shop out. I think your jewelry will go good there.” And then I go check and see for myself.

This “checking out” phase involves going into the store, looking at all of the inventory, and buying something small if I can find something that either I can use or give away as a gift. I like to see the sales process because I am picky and do not want to have my jewelry associated with a rude or nonchalant climate. On subsequent visit, I have inventory in a bag that I believe will compliment what is already in the shop and ask to speak to the owner (or purchasing manager depending on the size of the store).

Having a consignment shop contact me has occurred only though Etsy. Etsy has a search feature for “local” so you can search for crafters in your city or state. I've been contacted this way by new stores getting ready to open, but they don’t have capital for more inventory so they're wanting to find consignors. Sometimes I'm contacted by stores that don’t really have a plan and are just fishing to see what they can get from me. These deals have never worked out as well for me - “no-plan” type businesses don't make for successful ventures.

I currently sell jewelry on consignment in four places: a florist shop, a doctor's office, a salon, and a thrift shop.

I am lucky; my consignment contract with a florist’s shop is wonderful. Florist shops are great for jewelry makers. A lot of the customers are men buying something for a wife or girlfriend, and if they can do all of their shopping in one place, many will.

I have tiny displays in both my chiropractor’s office and my grandmother-in-law’s hair salon. The chiropractor’s office is good for me. I have a standing appointment once a month and come in to collect money and completely change out the display on the same day as those appointments.  The office only sells to their patients, so it is not a huge moneymaker, but I’m not sure I can say any other doctor’s office has ever handed me money when I arrive.

Venues like these are small, but also a good place to get your feet wet for consignment.  If you have a regular appointment at a salon, what would it hurt to ask proposing you have a display of earrings at the register? The worst they will say is, "No."  If you are like me and have hair that hasn't seen a professional in almost 10 years, think about family members who have long-standing relationships with stylists or other small establishments you frequent.

I have tried a shop that was marketed to me as a unique vintage and handmade market before it opened. It has become yet another thrift shop in my small town. I will be pulling my handmade jewelry out of here. Lesson learned. When I think of “vintage,” I think of treasures from the past – classic styles that are more than 20 years old and kept in good to excellent condition. To some people, "vintage" means anything that is not brand new - whether trash or not.  Now I know to ask a few more questions about the owner’s interpretation of the word “vintage” before committing.

The split

The flower shop agreement is 20/80 split (with 20% going to the florist) and she pays on the 1st and 15th of each month for all items sold since the last check.  She requests that all crafters mark their items at the full retail price. My jewelry is already priced at retail of 2 x the wholesale price, so I didn’t change anything from shows to online prices to this shop.

The Thrift Shop agreement was 25/75. They recently raised the consignment percentage to 30% and only pay after the 5th of each month for all of the previous month’s sales.

The chiropractor’s office charges me nothing, but this is a special arrangement.  They did it for me when I was starting my business because they saw me as a military veteran who was in pain. I personally feel like I am taking advantage of them, but they won’t take money from me even when I have tried to give them 20% of the sales.

The salon has turned into a 50/50 split because it has become a wholesale relationship. Each year, she buys five pieces or so from me at my wholesale price. Although I make less money, I like being paid up front much better than waiting for sales down the road.

I personally would not consider a consignment agreement above 30%. The way I feel about it, you are doing the business a favor - at no up front cost to the business, you are expanding the business' inventory through your own costs. I feel like when stores wish to charge 40-60% the selling price, they are attempting to take advantage of you. They want wholesale prices at no risk to themselves.

I would also not consider a place that charges a fee for you to consign and/or requires you to work in the stores a certain percentage of the month. Some of these arrangements, although advertised to me locally as consignment, are really approaching on co-ops.

My personal belief is that "booth fee" type arrangements are not good. The owner spends time advertising space in the store to vendors, but once he/she has their overall rent taken care of by consignors, he/she doesn't worry about advertising goods for sale. If these were successful ventures, there would be a waiting list to get goods in the store not an ever present ad of space available for rent.

But, overall, I am very happy with my consignment experiences. I can leave home for any reason, temporarily shut down my website, and not do any craft shows during that period of time. Then, when I come back, I have checks waiting from sales in these shops.

Tips for success: Participation, Rotation, and Pull Out

By participating, I mean to get involved in your consignment shops. Every consignment shop owner I know complains about people dropping off inventory and not being heard from again for months despite phone calls regarding checks from sales, rotating inventory, and possible custom orders.

I visit any local shop where I have items on consignment a minimum of two times per month - and usually it is closer to five times or more per month. I now have such a good relationship with the flower shop that she can take custom orders and give timelines and pricing estimates to the customers all because she already knows what skills I possess, what materials I always keep on hand, and the kinds of materials to which I have easy access. Approximately one third of my sales are through custom work like this, so if you do custom work, establishing this type of relationship can be very beneficial.

Rotation is my key to continued sales. Be prepared to rotate inventory regularly.  You must either have enough inventory on hand to rotate or be prepared to make more while your items are on display in the shop. A lot of consignors make the mistake of telling the shop that they’ll bring in more once everything has sold.  Standing on the sidelines, I have watched some seller’s items get boxed up and placed in the back room because they refused to rotate after even six months of sitting on a shelf.

Some things just won’t sell and not always because they are bad items.  It might just be wrong market, wrong time of year, wrong price, not displayed to its potential, and numerous other factors. A lot of small stores rely on repeat business, so their customers come in just to “see what’s new.” By rotating your stock regularly, you provide those customers with new options. I “rotate” by marking some items on sale, replacing items with a completely new piece, and/or puting new inventory in holes left by sold jewelry.

Lastly, if you get a bad feeling at all, pull your stuff out of the shop. Always trust your instincts in this regard – and if you are already “participating” in your shop, you will know when something doesn’t seem right. My not so good feelings have come from suddenly having no e-mail or phone contact (disconnected lines and canceled cable services). Good businesses will be contacting their business associates (includes you as a consigner) prior to making large changes or immediately after the fact if it was an emergency change – not a couple of weeks down the road.

Another time, I walked into a shop and bought something for 75 cents. I was told that they don’t have to charge tax on items that cost less than $1. That was a red flag, and I realized I needed to pull my stuff out of the store immediately. I don’t want to be anywhere near a store that could be doing something illegal, even if it is just ignorance of tax laws rather than malicious intent.

Consignment agreements

Sign your contract before any inventory is handed over, but do not sign that contract without reading it in its entirety. All of my contracts start the same with the first line(s) stating who you are and who the shop is. The second section is a line that says almost verbatim, “All articles given from consignor to {shop} become property of {shop} until sold or returned to consignor at end of contract.” I do not sign a contract without this line. This line is what gets your items covered under the store’s insurance policy. If the store says they aren’t responsible for loss (theft or destruction) of your items, I personally would not sign that contract. They should have an insurance policy on all inventory including items from consignors.

The rest of your contract should cover how and when payments are made, how you and the shop will conduct drop off and inventory of your items, how you must tag your products, how much notice is needed to remove your items from the store, etc, etc. Most of my contracts are only one page long and none are longer than two pages. If something doesn’t look perfect on the contract, a good store will have no problem with you taking it to a friend to review and giving you a night to sleep on it.

Good luck!

Vicky

Shore Debris
Purple Fuzzy Feet

Thursday, June 9, 2011

Good shows and bad

I've known Jill Liles of Liv'nGood Jewelry for three years. She is one of the co-organizers and chainmaille guru of the Triangle Jewelry Makers. Check out the "Grow your business" section of her blog about using twitter, google analytics, and more.

Q: What kind of jewelry do you make?

Chainmaille, steampunk, semi-precious stone beading, whatever catches my eye.

Q: How long have you been making and selling jewelry?

Making for 3.5 years, selling for 2.5 years. I filled up my jewelry box, my mom's, and my sisters. It was either give up the hobby or start selling the stuff.

Q: Is this a full-time biz or a hobby?

Let's go with "hobby plus." I do try to make money at it, but I have a "real" job too that pays the bills.

Q: How many events do you do a year?

Probably 10 or so. That sounds like a lot more than it feels. Usually April-May my weekends are full and then again in Oct-November. I won't do a show in Jun-Aug (too hot) or Dec-Jan (too cold).

Q: What was your first show or event?

The Fuquay-Varina Celebration of the Arts and it was f****g hot!! It was June 4 and 104 degrees. I was in a side street off the main drag between two brick buildings that bounced the heat back and forth like a pizza oven. And I didn't sell diddly.

Q: What are the best and worst shows you've ever done?

Boylan Heights Art Walk in 2009 is still my #1 show from a sales perspective. I did about double my usual sales at that one event. It's a long established art show, so the people coming are looking for art and don't mind paying for it either.

The worst is a toss up between that first Fuquay show above, my last show in Fuquay where I was situated between a politician and a masseuse, and the show at Duke Homestead where I sold nothing, zip, nada.

Q: How do you feel when you have a bad experience at a show? 

It's tough but I try to go into every show thinking I'm just there to give out biz cards, any sales are "gravy." That makes the duds easier. But so far (knocking on wood) I've at least made back my entry fee at every show I've done (at least the Duke Homestead show was a freebie for me).

Q: What is your set up? How long does it take you to set up? Do you have help or do it alone?

I do it all alone now. My husband helped the first few shows, but then I got it down. It takes me about 45 minutes to an hour if I'm doing the tent and all. Shows where it's just tables and displays are a little faster. But, I'm a "futzer." I'll move pieces around the whole time if I don't like how it looks. My basic set up is three tables in a U shape, with me sitting at the back behind them.

Q: Have you sold through consignment or galleries?

There's one store in Cary that has bought a few of my pieces wholesale, and I was in the Craftland Market at Scrap Exchange last fall. I forced myself to go into all the little cutesy shops in Apex and ask if they sold jewelry, hated every second of it and got nothing out of it, so I've never tried that route again. 

Q: What's your experience with internet selling?

I have my own website (but few sales there so far). I also have stores on the big two (Etsy and Artfire) and have had a few sales on each. The handmade sites are flooded with jewelry makers, so it's tough to stand out.

If you're just starting with the online stuff, I recommend setting up a free storefront on Artfire. Unlike Etsy, there are no listing fees, so this is an inexpensive way to figure out what you'll need to know about every piece you try to sell (good photos from all angles, price, shipping, tags, description, etc).

My philosophy is to promote myself and my site, not anyone else. So you won't see me advertising my Etsy or Artfire sites on my business cards. When it comes to online presence, you really should get your own domain and website. You can buy your domain name for $10 a year, and set up a basic free site using Blogger, WordPress or a similar service. Even if it only contains your links to an Etsy or Artfire store, having your own domain will pay off in the long run. It is the web address you should use on your business cards, show applications, etc. 

If you take the next step and decide to build an online store, test every single aspect of it as if you had never seen a computer before. I skipped that step on my own site and it was months before I realized that not only was there no way to contact me through the site, but the security settings weren't connecting. So even if you did want to buy something, you couldn't. And since there was no contact form.... I had a big time "doh" moment there!

Thanks, Jill! 
~ Jen





Jen Hilton makes one-of-a-kind jewelry sold through her website JLHJewelry.com. She is the founder of the Triangle Jewelry Makers and is featured in the books "Steampunk Style Jewelry: Victorian, Fantasy, and Mechanical Necklaces, Bracelets, and Earrings" and "1000 Steampunk Creations: Neo-Victorian Fashion, Gear, and Art" available at Amazon and other booksellers.

Saturday, February 19, 2011

Do what you love

This is an interview with Vicky Brown of Shore Debris. She is a jewelry maker who also sells beads and findings through her shop Purple Fuzzy Feet. I met her a year ago after she joined Triangle Jewelry Makers (formerly the Raleigh Jewelry Meetup Group). Find her on Facebook.

Q: What kind of jewelry do you make?

Right now my concentration is wire-wrapped sea shells, starfish, beach stones, sea glass, etc., that I have collected (or someone in my family has collected) on North Carolina, Florida, or Cuba beaches.  I do buy some shells, but that's because there are beautiful ones in the Pacific and I don't have any family living in Thailand or the Philippines. I like to be able to tell you exactly where each shell comes from. You should really see my husband's eyes when I try to explain to him what my numbering system on my bags of shells mean.

Q: How long have you been making jewelry?

I think I was in 4th grade when I got my original bead loom. It has always been a hobby in the background. My friends and family got jewelry for Christmas, birthdays, or for no reason at all. I moved beyond hobbyist after I had a knee replacement in December of 2008. I had a period of non-weight bearing and no active motion of my leg after the surgery for eight weeks (picture wonderful contraption from hip to ankle holding leg out straight). By week two, I was lucid enough to be bored out of my mind. Lucky for me, I have a laptop with wireless internet and began to buy jewelry kits, beads, wire, books, magazines, etc. I would be salivating waiting for each new shipment and spent close to eight hours a day making jewelry. This intense period was great for me. I finally perfected simple items like wrapped loops. Prior to then, I would destroy three headpins just to get one wrapped loop that I liked. And I was able to considerably build up my inventory.

Q: How long have you been selling jewelry?

I officially opened up business in June 2009. My mother and grandmother began doing craft shows when I was in college, and I thought this would all be very easy to turn a profit.  Keyword: "thought."

Q: What made you decide to start selling?

It was mainly a career change.  I had just ended my contract with the Marine Corps and took one life lesson with me: Life is too short to be miserable. You need to be doing what you love in order to be happy. I love making jewelry so it was an almost natural transition.

Q: What was your first show?

My very first show was the Fort Bragg Fair, an 18-day-long carnival-like fair in May 2009. There had been an ad in the paper calling for crafters to put their wares before more than 1 million guests over 18 days for the low price of $350. I was one of four crafters who answered the ad. We were in a large 40' x 60' tent and were given three 6' long tables in a 10' x 10' space. The other spaces were given to vendors from a local flea market.

This was the absolute worst craft show I have ever experienced. Anytime I am having a bad craft show day, I remember it is not near as bad as this one. At this show, I experienced unsupervised children who broke my items (including two who jumped on my table on day two when it started raining and destroyed both my mirror and an expensive wall hanging). I had five items stolen, including one person who was caught by the security and forced to come back and pay for it. I had a flea market vendor buy something from me for $1, immediately put it on her table, and tried to sell it 15 minutes later for $20. I even had a man try to hit on me (although I was too dense to realize it when it happened). 

These things do not happen at my other shows. And not everything about this show ended up terrible. One of the crafters turned me on to etsy for selling my jewelry. I had quite a few laughs with the woman next to me who was painting faces. She even had it worse than me. She paid $350 for her booth to paint faces.  There were three other face painters at the fair who were painting faces for tips only.]  She had a wonderful southern accent and when the guy I mentioned above brought me an unopened bottle of Smirnoff (Me - a person who cannot handle any alcohol and is unable to open twist off beer tops with bare hands), she had the most wonderful comment, "Nah honey, he was sure lookin' to buy, but you ain' selling wha' he's lookin' to buy"  Little experiences like that let me laugh off the whole big event.

Bad craft shows always have lessons learned.  Here, I learned:  Never, ever do a carnival show to sell jewelry.  90% of carnival goers are 16 or younger and definitely not my market.  (And lesson 2:  Stay away from Army bases.)

Q: What is the best show you've ever done, and why?

My favorite show would have to be the Western Wake Farmers' Market.  It occurs only once per year (the farmers' market is year round, but crafts are only invited one saturday per year).  This is a cheap show - last year only $35 for a 10' x 10' space and there is a small jurying process.  The set up is first come/first serve on the day of the event.  The organizers file each person into a parking spot as you arrive and your booth set up is directly behind your vehicle.  In the end, it looks like someone spend time laying out the booth orders (unlike other shows where 2 people just don't show up and you end up with awkward spaces).  It is one of those small shows in the absolute perfect location.  Most of the people there expect great quality and are willing to pay for that quality.  They also seem to enjoy the farmers' market that is walking distance from their homes and arrive prepared to shop.

Q: How many shows do you do a year?

I did 19 in 2009 and 9 in 2010.  My plan for this year is to stick to hopefully 4 or 5 only.

Q: Is this a full-time biz or a hobby?

I would call it a part-time business.  At the end of 2009, I decided I did not particularly enjoy the life of starving artist (reminded me too much of college and ramen is as bad now as it was then). I looked for a part time job to ensure I had grocery money every week, so I work at my job up to 24 hours a week and spend 20-30 hours per week on my jewelry business.

Q: I heard that you did a show back in December and it didn't go so well? What happened?

It ran very smoothly, and organizers were very, very nice and extremely well organized. Holiday music the whole time at a pretty nice level, booth sitters available, etc, etc.

Problems: there was more "as seen on TV" stuff than crafts. And some of the vendors were horrible - like the stereotypical flea market heckler. I was next to a woman who would tell people they have to try her cookies while knocking over my display and trying to get to them in my booth (when she would turn around to grab a cookie, they would run the other direction and about 1/2 would give me a pitying glance on their way out). The guy on the other side was selling signed sports photos and magazine covers - he had a tall display that the 1st day he had hung the pictures on the outside of his display so that they looked like they were part of my booth. I had quite a few people complain that they couldn't shop in my booth if I was a Carolina fan and ask how do Carolina sports photos go with shells, etc, etc.  I am so not into sports that I didn't know what team the pictures portrayed until after the complaints.

Not all of the vendors were that bad and chasing people away. The girl across from me had done the show four times and said that one day in previous years was better than all four days this year. She thought the main problem was that the show used to be before Thanksgiving and that moving it 2 weeks later made it seem like people were already done or almost done their Christmas shopping (besides the fact that some shoppers stated they had been there 2 weeks earlier looking for us and were disappointed to find the doors locked).

I sold almost 80 items priced at $5 and 2 items that cost more than $10.  Nobody was looking at anything priced over $25. I had a couple of friends show up - who love craft shows and can stay all day at good ones... they went though the entire place in < 1 hour which is very bad for a show in a large convention center.  In the end for this show, I broke even with my expenses, material costs, etc, but it is disheartening when you realize how many hours you spent at the show and how many hours you spent in labor but have nothing to show for that time.

Q: How do you feel when you have a bad experience at a show?

I see bad shows as a learning experience for me. So far, I've learned carnivals, small churches where I am not a member, elementary school benefits, and venues that allow non-handmade items are some places I don't sell well.

My theories:

1. Kids are not my market and are the main carnival goers.

2. Church benefits tend to have shoppers that want to support their members, so tend to shop with their members only and would feel bad buying from an outsider.

3. Elementary school mothers are not generally my market. Generally, mothers with young kids are tight on money, feel bad spending money on themselves instead of their kids, or are worried their child might break something in your booth so don't want to approach you.

4. If a person is willing to pay $30 for a lint roller or $45 for a mop (neither handmade), they feel $7.50 for a pair earrings is just too expensive (and have no problem telling you that as they stand in front of you with lint roller and mop in hand). Therefore, stick to handmade-only venues.

My big changes in shows this year is that I'm cutting my show budget in half and spending the other half of the money printing wholesale brochures. Over the last year, my wholesale and consignment items show a 40% greater profit at the end everything over my craft shows and the expenses they entail.

Q: What is your set up?

My booth includes one 6-foot table, two 3-foot tables, a DVD shelf (that I steal out of my living room the day before a show), and/or an easel. The minimum amount of time I need to set up (including the 10' x 10' foot easy-up tent) is 45 minutes.  I prefer to take 1-1/2 hours to sort of putz and go slow, so I regularly show up as one of the first vendors at an event to give me my putz-around time. 

I've cut white sheets and made custom table drapes that fit like a box over my tables and go to the ground.  I use various batik fabrics for color on top and try to put as much height differences with boxes/crates/etc around my tables.  It looks a bit different every time, and I enjoy making a picturesque display almost as much as making the jewelry.

Q: Do you have any advice for beginning jewelry sellers?

Do what you love and don't worry about everyone else. There will always be someone underselling you; and everytime you think you find a brand new, interesting idea that no one else is doing, you'll find the same theme somewhere else online. I thought wire-wrapped sea shells were the coolest thing, and people kept telling me what an original idea it was. It was quite a shock to my ego when I got my etsy account and six months later searched for "wire wrapped sea shell pendant" and saw how many items popped up. But I love what I do and don't let the peripheral stuff bother me.

Thanks, Vicky! 
~ Jen



Jen Hilton makes one-of-a-kind jewelry sold through her website JLHJewelry.com. She is the founder of the Triangle Jewelry Makers and is featured in the books "Steampunk Style Jewelry: Victorian, Fantasy, and Mechanical Necklaces, Bracelets, and Earrings" and "1000 Steampunk Creations: Neo-Victorian Fashion, Gear, and Art" available at Amazon and other booksellers.

Wednesday, July 28, 2010

Selling at large shows and events

I've known Christi Cramer, aka the "Gem Gypsy," owner of Earth Traditions, for 10 years. She was my first jewelry selling mentor. Christi is also a licensed gemologist and consultant. Find her on Facebook or email

Q: How long have you been selling jewelry? What was your first event?

Earth Traditions has been in business since July 1999. Our first festival was "The Brightleaf Festival" the first Saturday of October 1999 in Wendell. My first official Celtic Festival was the Savannah Irish Festival in February 2001.

Q: How many shows/events do you do a year?

This year is the first I have done them full time. I have done seven so far and expect to do six or seven more before the end of this year. I would like to average two per month next year.

Q: What's the largest show/event you've ever done?

Attendance-wise, about 35,000 people. This would include some of the larger Highland Games/Celtic Festivals -- generally 2-day events, generally 10x20 foot booth, almost always outdoors.

Q: What's your basic set up when you do a show/event?

A 10x10 booth is: One easy-up tent, four tables, table coverings, two signs, two chairs, mats if necessary, weights for tents if necessary, five glass cases for the jewelry, two spinners (one for jewelry, one for window clings) and, of course, the merchandise.


A 10x20 is: Two tents, six tables, sometimes a TV table, table coverings, two signs, two chairs, mats, weights, usually six glass cases, three spinners and lots more merchandise!

Q: I've met a lot of jewelry makers who are intimidated by the thought of selling at a big venue. Do you have any tips for them?

EVERYONE is intimidated -- ESPECIALLY if you've never done any festivals or if you're doing a particular festival for the first time. One thing to remember is everyone is in the same boat and in it together. Here's a few more suggestions:

* Be nice to your neighbors, be nice to your potential customers, which is pretty much everyone who comes to the festival, including your fellow vendors & festival staff.

* Keep in mind that the festival staff is usually made up of volunteers who don't get paid to do this -- be PATIENT.

* Make notes for the next time around on things like display tactics, merchandise, what you forgot, etc.

* Get out of your booth if you can during the festival and talk to fellow vendors, look at displays, observe the crowd, observe the layout of the festival. You may want a different spot if you do that festival again. Sometimes, even when the sales aren't good, the info and contacts I've gleaned from an event may be worth it!

Q: In your case, not everything you sell is handmade, or handmade by you yourself. Do you think it helps to have "retail" merchandise as well as handmade items, when selling at a large festival or event?

Technically, I am a commercial vendor, but 90% of the items I carry are either handmade by myself or other artists because I admire creativity and the unique, and I like variety.  And I really don't think I have enough of my own items to fill a booth, but I'm getting there. Most artists don't want to carry anything except what they make, and I don't blame them. You're there to do what YOU want to do. Commercial vendors also generally pay higher booth rental.

Q: I've heard the phrase, "The more you have, the more you sell." Do you think this is true?

Absolutely. People like a variety of items to pick from, even if the items are all similar, having different sizes, colors, and slightly different styles and a range of prices are a distinct advantage. In my experience customers do like CHOICE. When selling handmade pieces, they do like the idea that pieces are "one of a kind" especially, if they are buying from the artist who made it.

Q: How much jewelry inventory would a person need in order to fill a 10x10 booth for a one-day festival? A weekend festival?

As much as you can possible have.  If you feel like you don't have much, fill in with really nice displays, information about the pieces, pictures ... and sell, sell, sell! 

How much you have for sale needs to be in direct correlation to your expenses: Cost of goods sold, booth rental, food, travel (gas & hotel stay). My general rule of thumb is to have for sale, at least three times (retail) what my booth rental, food and travel costs are. In other words, if your booth costs you $100, your food $50, your gas $25 and your hotel stay $125 ($300 total)  you need to have at least $900 for sale in your booth (based on a 2X+ mark-up on your costs). This gives the customers choice, and if you have more items than this, then YOU have a chance at higher profits. So, yes, as much merchandise as you possibly can display!

Q: Some jewelry makers balk at the idea of spending $200-$600 for a booth space at a show or festival. Is there any way to know, ahead of time, if it's worth paying that much? How will they know they're prepared for an event that size?

We have a saying in the event business: "You pays your money, you takes your chances." You just never know for sure. You are at the mercy of Mother Nature (since most festivals are outdoors) and the advertising of the event committee. The absolute best thing is to be able to talk to other vendors that have done an event before, and talk to more than one, better to get a consensus of three or four if you can. Visiting or helping a fellow vendor at a festival before you choose to do it is another good way. There are also a lot of Festival Networks that help with statistics such as attendance, number of vendors, juried events, etc. Sometimes, unfortunately, you just have to take the plunge and hold your breath. Studying the demographics of the area the festival is taking place is also not a bad idea. For example, a festival in or near a larger city is usually better than one held out in the middle of nowhere.

Q: Any other topics or suggestions about doing large event, that were not covered above?

Event selling is one topic that needs it's own blog. There is so much information on marketing your business that the very fundamental skill of actual selling is almost forgotten. Here are some tips:

* Be on your feet. Greet people. Be engaged with your potentials.

* Be yourself, be genuine, be a person first.

* Talk passionately about your craft.

* Get items in peoples hands to try things on.

* Make yourself and the visit to your booth something people will remember.

* Give out business cards, websites, other tangible info.

* Follow-up! Send thank-you emails or notes.

* Sell yourself! You'll find your profits and friends more numerous!

Also make every festival a LEARNING experience for yourself. Write down the good and bad. Learn, learn, learn! Business owners who don't learn, don't grow. Those who do learn, move ahead!

Thanks, Christi! 
~ Jen



Jen Hilton makes one-of-a-kind jewelry sold through her website JLHJewelry.com. She is the founder of the Triangle Jewelry Makers and is featured in the books "Steampunk Style Jewelry: Victorian, Fantasy, and Mechanical Necklaces, Bracelets, and Earrings" and "1000 Steampunk Creations: Neo-Victorian Fashion, Gear, and Art" available at Amazon and other booksellers.